We then shot a sequence of Ginsberg walking through images that influenced the style of Howl - a Cezanne that Allen saw at the Museum of Modern Art. (As Allen says in the film, "Part of Howl was really an homage to Cezanne's method. In a sense I adapted what I could to writing. Cezanne is reconstituting by means of triangles, cubes, and colors. I have to reconstitute by means of words, rhythms and phrasings.") We also shot a sequence of a drugged out Allen literally walking through an image of William Blake that was being projected onto his face and the room around him. Another scene we filmed was Allen's day job working as a copyboy, frustrated as he tried to come up with a toothpaste ad, and leading a more or less "normal" existence before deciding to take a very different path in life, which ultimately lead to the creation of Howl.
Day One was a success - now only thirteen more shooting days to go!

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